13 Cameras
- heavy
- brisk
- extreme
- bleak
- cold
- twisty
Heavy, kinetic, extreme horror / crime, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Newlyweds Claire and Ryan have just moved into a new house. Both are hoping Claire’s pregnancy will be the cement needed to hold their already fraying relationship together. Little do they know their marital issues are the least of their problems. For unbeknownst to them, their scruffy, sleazy and lascivious landlord has installed numerous miniature cameras all over their home and has been spying on them from Day One. Then Ryan begins an office affair, and the landlord kits out the secret basement with chains and soundproofing. Something is going to give in this suburban shocker packed with nasty surprises.
Our read · 13 Cameras (2016) reads as a heavy, kinetic, inventive horror · crime · thriller entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of 13 Cameras
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
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