Absolute Deception
- kinetic
- extreme
Neutral, breathless, extreme action / music, grounded in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A widowed reporter recruits the help of a federal agent to investigate her late husband's secrets, but the two become the target of unknown attackers. When FBI Agent John Nelson’s key informant, Miles, is abducted and shot, all that’s left is a severed finger. In order to find a new lead, Nelson travels to New York City to inform widowed magazine reporter Rebecca Scott that her long dead husband, Miles, had only recently been murdered to see if she had heard from him in recent years. Perplexed, Scott joins Agent Nelson in the wealthy enclave of Australia’s Gold Coast to find out what really happened. The two soon discover Miles may have been part of an elaborate “Ponzi scheme” to bilk investors, and a vengeful billionaire, out of millions of dollars. As more layers of Miles’ secret life are exposed, can the two stay ahead of the mysterious attackers who will stop at nothing to halt their investigation?
Our read · Absolute Deception (2013) reads as a neutral, breathless, grounded action · music entry — extreme in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Absolute Deception
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
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