Adam Chaplin
- heavy
- kinetic
- extreme
- inventive
- bleak
- cold
Heavy, breathless, extreme horror / action, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Set in the fictional country of Heaven Valley, the film is the story of a man, Adam, who following the suspicious death of his wife begins to investigate her murder and in doing so, discovers the involvement of local mafia boss: Denny Richards. Unable to trust the police, corrupt and controlled by Denny, Adam, consumed by anger, summons a demon who offers him superhuman strength and dark powers. The demon follows him during his trip, promising to lead Adam to the door of the murderer if he does everything the demon asks. This unleashes a bloody war that will bring Adam, the demon on his side, against the police department with all its dark allies. The fight begins and it will be extreme!
Our read · Adam Chaplin (2011) reads as a heavy, breathless, inventive horror · action · crime entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Adam Chaplin
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
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