Bad Ass 2: Bad Asses
- sombre
- kinetic
- extreme
Sombre, breathless, extreme action, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Vietnam vet Frank Vega now runs an East L.A. community center where he trains young boxers to survive in and out of the ring. But when his prize student falls in with the wrong crowd and turns up dead, Frank teams up with his pal Bernie to take matters into their own fists and prove that justice never gets old.
Our read · Bad Ass 2: Bad Asses (2014) reads as a sombre, breathless, grounded action entry — extreme in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Bad Ass 2
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
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