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Bitter Rice (1949) poster

1949 · drama · neorealism

Bitter Rice

Directed by Giuseppe De Santis1h 49m1949

Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice worker, Silvana, and the soon-to-be-discharged soldier, Marco. Walter follows her to the rice fields, and the four characters become involved in a complex plot involving robbery, love, and murder.

Our read: Bitter Rice (1949) reads as a sombre, kinetic, grounded drama · neorealism entry — measured in intensity, mid-stakes in scope, measured in temperature, nihilistic in outlook.

Movie DNA

Sombre, kinetic, measured drama / neorealism, grounded in texture. Nihilistic, mid-stakes, measured.

ElsewhereIMDb7.65kRT100%TMDB7.5228
  • sombre
  • brisk
  • intense
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DNA · twelve axes

How Bitter Rice feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
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What watching it is actually like.

“You want powerful Italian neorealist drama with passion and tragedy.”

ends devastatingit leaves you shakensteady all the waygrips by minute 15attention 3/5earns its lengthsubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upnuditysuicide theme

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