
2008 · essay · experimental · marx
Directed by Antonio Resines, Ana Pérez-Lorente2h 0m2008
In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.
Our read: Cinema Stories (2008) reads as a sombre, slow-burn, surreal essay · experimental · marx entry — gentle in intensity, intimate in scope, cold in temperature, ambivalent in outlook, with a strong directorial signature.
Sombre, slow-burn, gentle essay / experimental, surreal in texture. Ambivalent, intimate, cold.
Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.
Your lens for tonight
?
Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.
Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.
“You want talky Spanish cinema history told through anecdotes and interviews.”
Skip it tonight — Skip if conversational film history documentaries put you to sleep.
Closest in the twelve-axis space, not “people also liked”. All films like Cinema Stories, with why →
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