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Constantine (2005) poster

2005 · fantasy · action · horror

Constantine

Directed by Francis Lawrence2h 1m2005

John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.

Our read: Constantine (2005) reads as a heavy, breathless, surreal fantasy · action · horror entry — extreme in intensity, epic-stakes in scope, cold in temperature, ambivalent in outlook.

Constantine counts for a challenge

Movie DNA

Heavy, breathless, extreme fantasy / action, surreal in texture. Ambivalent, epic, cold.

ElsewhereIMDb7.0405kRT46%Metacritic50
  • heavy
  • kinetic
  • extreme
  • surreal
  • cold
  • twisty
Game · before you press play

Watching Constantine tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

Your lens for tonight

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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.

Where to watch
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Where the cast leads
DNA · twelve axes

How Constantine feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want stylish occult noir with Reeves' cynical exorcist swagger.”

ends triumphantyou’ll be fine aftersteady all the waygrips by minute 10attention 3/5earns its length
Date nightWith friendsSoloWith parentsKids around

Skip it tonight — You want theological seriousness over comic-book hellscapes.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Constantine, with why →

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