
David Holmes: The Boy Who Lived
Neutral, steady, measured documentary, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →As Daniel Radcliffe's stunt double in the Harry Potter films, David Holmes' work has been seen worldwide by millions of people. Tragically an on-set accident ended what David calls "the best job in the world," leaving him paralyzed. Like the on-screen character he helped bring to life, David is determined to continue seeking adventure and living life to the fullest despite mounting obstacles.
Our read · David Holmes: The Boy Who Lived (2023) reads as a neutral, steady, grounded documentary entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.




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The shape of David Holmes
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.








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