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Demon (2015) poster

2015 · horror · drama · folk

Demon

Directed by Marcin Wrona1h 34m2015

A bridegroom is possessed by an unquiet spirit in the midst of his own wedding celebration, in this clever take on the Jewish legend of the dybbuk.

Our read: Demon (2015) reads as a heavy, steady, inventive horror · drama · folk entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature.

Movie DNA

Heavy, steady, extreme horror / drama, inventive in texture. Nihilistic, mid-stakes, cold.

ElsewhereIMDb6.16kRT92%Metacritic80TMDB5.8151
  • heavy
  • intense
  • inventive
  • bleak
Video previewNo trailer available for this one.
Game · before you press play

Watching Demon tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

Your lens for tonight

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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.

Where to watch
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Where the cast leads
DNA · twelve axes

How Demon feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want a vodka-soaked Polish wedding unraveling into dybbuk dread and history.”

ends unsettlingit stays with youbuilds to a gut-punch finalegrips by minute 22attention 4/5breezes bysubtitles: full
Date nightWith friendsSoloWith parentsKids around

Skip it tonight — You need jump scares; this is slow dread, allegory, and social unease.

If Demon is your film
The Wedding (2004)
Polish wedding chaos turned national allegory
(You want spirits, not political satire)
Ida (2013)
Poland confronting buried wartime guilt
(Black-and-white austerity feels too austere)
The Dybbuk (1937)
Classic Yiddish possession legend, same folklore root
(You prefer modern pacing and color)
Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Demon, with why →

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