
1965 · short · experimental
Directed by Nedeljko Dragić4m1965
Being a cartoonist and caricaturist, Dragić applied for a competition organised by Zagreb Film and so his succesful career as an animator started. However, his films remained strongly connected with his comic strips both in terms of style and narrative, and some of these are actually the animated version of his comics. Elegy, Dragić's debut film, for example, is based on his comic called Nostalgia, as he explains in an interview with Bosnian-Swedish theorist and animator Midhat Ajanović in his book "Nedeljko Dragić: The Man and the Line" (2014). Elegy is about a prisoner longing for the flower that caught his eye through the bars of his cell. The animation is quite static, a quality coming from his background in comics.
Our read: Elegy (1965) reads as a sombre, slow-burn, surreal short · experimental entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature.
Sombre, slow-burn, measured short / experimental, surreal in texture. Nihilistic, intimate, cold.
Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.
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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.
Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.
“You want a four-minute artistic animation on nostalgia and loss.”
Skip it tonight — Skip if you need plot, dialogue or anything longer than a short.
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