Germany in Autumn (1978) poster
1978 · drama · documentary · german

Germany in Autumn

Directed by Hans Peter Cloos, Maximiliane Mainka, Rainer Werner Fassbinder, Alexander Kluge, Beate Mainka-Jellinghaus, Alf Brustellin, Katja Rupé, Volker Schlöndorff, Edgar Reitz, Bernhard Sinkel, Peter Schubert2h 3m1978
ElsewhereIMDb6.81kRT86%TMDB6.329
  • heavy
  • measured
  • bleak
Movie DNA

Heavy, measured, measured drama / documentary, inventive in texture. Nihilistic, mid-stakes, cold.

How every film is hand-scored →

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

Our read · Germany in Autumn (1978) reads as a heavy, measured, inventive drama · documentary · german entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature.

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The shape of Germany in Autumn

Tonight, this looks like

What watching it is actually like.

You want a raw political anthology on terrorism, state power, and national trauma.

ends unsettlingit leaves you shakenmeditativegrips by minute 10attention 4/5feels its lengthsubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upsuicide theme

Skip it tonightYou want escapism or are unsettled by real political violence and suicide.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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