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Get Out (2017) poster

2017 · horror · thriller

Get Out

Directed by Jordan Peele1h 44m2017

Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

Our read: Get Out (2017) reads as a sombre, steady, inventive horror · thriller entry — extreme in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook.

Movie DNA

Sombre, steady, extreme horror / thriller, inventive in texture. Ambivalent, mid-stakes, measured.

ElsewhereIMDb7.8814kRT98%Metacritic85TMDB7.619k
  • sombre
  • intense
Game · before you press play

Watching Get Out tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.

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Where the cast leads
DNA · twelve axes

How Get Out feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want smart social thriller that weaponizes liberal racism and hypnosis.”

ends triumphantit stays with youa slow buildgrips by minute 20attention 4/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencecringe humiliationanimal harm

Skip it tonight — You want pure scares or fun horror without real-world social bite.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Get Out, with why →

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