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Good (2008) poster

2008 · drama · political

Good

Directed by Vicente Amorim1h 36m2008

When John Halder's latest novel is enlisted by powerful political figures in the Nazi party to push their agenda, his career and social standing instantly advance. But after learning of the Reich's horrific plans for the future and the devastating effects they will have on people close to him, John must decide whether or not to take a stand and risk losing everything.

Our read: Good (2008) reads as a heavy, steady, grounded drama · political entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, steady, measured drama / political, grounded in texture. Nihilistic, mid-stakes, cold.

ElsewhereIMDb6.28kRT34%Metacritic40
  • heavy
  • bleak
  • cold
Game · before you press play

Watching Good tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.

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Where the cast leads
DNA · twelve axes

How Good feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want a sobering look at how decent people rationalize evil.”

ends devastatingit leaves you shakena slow buildgrips by minute 18attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around

Skip it tonight — You need something light after a long day; this moral weight lingers.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Good, with why →

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