I Used to Be Funny
- sombre
- intimate
Sam, an aspiring stand-up comedian and au pair struggling with PTSD, weighs whether to join the search for Brooke, a missing teenage girl she used to nanny. The story unfolds between the present—where Sam tries to recover from her trauma and return to the stage—and the past, where memories of Brooke make it increasingly difficult to ignore her disappearance.
Our read · I Used to Be Funny (2023) reads as a sombre, steady, grounded drama · comedy entry — measured in intensity, intimate in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of I Used to Be Funny
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
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