
1969 · experimental · udigrudi
Directed by Júlio Bressane1h 4m1969
A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.
Our read: Killed the Family and Went to the Movies (1969) reads as a heavy, measured, surreal experimental · udigrudi entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature.
Heavy, measured, measured experimental / udigrudi, surreal in texture. Nihilistic, intimate, cold.
Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.
Your lens for tonight
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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.
Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.
“You want provocative experimental Brazilian cinema about random violence and social rot.”
Skip it tonight — Skip if graphic family murder and disjointed shocking stories will repulse you.
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