1969 · essay · politics · experimental
Le Gai Savoir
Directed by Jean-Luc Godard1h 35m1969
While alone in an abandoned television studio, two militants, Emile Rousseau and Patricia Lumumba, have a discourse on language. Referring to spoken word as "the enemy"--the weapon used by the establishment to confuse liberation movements--the two deconstruct the meanings of sounds and images in an attempt to "return to zero" and truly experience the joy of learning.
Our read: Le Gai Savoir (1969) reads as a sombre, slow-burn, surreal essay · politics · experimental entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook, with a strong directorial signature.
Sombre, slow-burn, measured essay / politics, surreal in texture. Ambivalent, mid-stakes, cold.
- sombre
- slow-burn
- surreal
- cold
- twisty
- signature
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How Le Gai Savoir feels to watch.
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“You want Godard's radical dialogue on language, politics and returning to zero.”
Skip it tonight — Skip if you want characters, story or visual entertainment over theory.
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