Films79 SpringtimesLike this

Films like 79 Springtimes.

79 Springtimes (1969) reads as Sombre, kinetic, measured icaic / documentary, inventive in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The First Charge of the Machete (1969) poster
1. The First Charge of the Machete1969

Keeps the cold, bleak undertow and the bone-dry seriousness — one of the nearest reads in the catalogue.

Kanto Wanderer (1963) poster
2. Kanto Wanderer1963

Keeps the cold, bleak undertow and the bone-dry seriousness — one of the nearest reads in the catalogue.

The Seventh Bullet (1972) poster
3. The Seventh Bullet1972

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a grounded, familiar shape.

Women in Love (1969) poster
4. Women in Love1969

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

Lili Marleen (1981) poster
5. Lili Marleen1981

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a grounded, familiar shape.

We (1969) poster
6. We1969

Keeps the bone-dry seriousness and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Father and Son (German) (1967) poster
7. Father and Son (German)1967

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

Landscape After the Battle (1970) poster
8. Landscape After the Battle1970

Keeps the bone-dry seriousness and the unmistakable directorial hand; trades toward a patient, unhurried pace.

I Am Cuba (1964) poster
9. I Am Cuba1964

Keeps the bone-dry seriousness and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Stavisky (1974) poster
10. Stavisky1974

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

The Seasons of the Year (1975) poster
11. The Seasons of the Year1975

Keeps the bone-dry seriousness and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Rumble Fish (1983) poster
12. Rumble Fish1983

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a intimate, personal stakes.

These are 79 Springtimes’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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