FilmsBelle de JourLike this

Films like Belle de Jour.

Belle de Jour (1967) reads as Sombre, measured, measured drama, inventive in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Magician (1958) (1958) poster
1. The Magician1958

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Innocents(1961)1961
2. The Innocents1961

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Tristana (1970) (1970) poster
3. Tristana1970

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Peppermint Frappé (1967) poster
4. Peppermint Frappé1967

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

Shadows of Forgotten Ancestors (1965) poster
5. Shadows of Forgotten Ancestors1965

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Passenger (1975) poster
6. The Passenger1975

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Niklashausen Journey (1970) poster
7. The Niklashausen Journey1970

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Rite (1969) poster
8. The Rite1969

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Viridiana (1961) poster
9. Viridiana1961

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

L'Amour Fou (1969) poster
10. L'Amour Fou1969

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

The Haunting(1963)1963
11. The Haunting1963

Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a cold, bleak undertow.

Oedipus Rex (Pasolini) (1967) poster
12. Oedipus Rex (Pasolini)1967

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

These are Belle de Jour’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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