FilmsCitizen KaneLike this

Films like Citizen Kane.

Citizen Kane (1941) reads as Sombre, measured, gentle drama / mystery, inventive in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Ivan the Terrible, Part I (1944) poster
1. Ivan the Terrible, Part I1944

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a white-knuckle intensity.

The Third Man (1949) poster
2. The Third Man1949

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a white-knuckle intensity.

Rope (1948) poster
3. Rope1948

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a intimate, personal stakes.

Les Dames du Bois de Boulogne (1945) poster
4. Les Dames du Bois de Boulogne1945

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a intimate, personal stakes.

Lola Montès (1955) poster
5. Lola Montès1955

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a intimate, personal stakes.

Hamlet (1948) poster
6. Hamlet1948

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a white-knuckle intensity.

The Testament of Dr. Mabuse (1933) poster
7. The Testament of Dr. Mabuse1933

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Rebecca (1940) poster
8. Rebecca1940

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a white-knuckle intensity.

Rashomon (1950) poster
9. Rashomon1950

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a intimate, personal stakes.

The Lady from Shanghai (1947) poster
10. The Lady from Shanghai1947

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a white-knuckle intensity.

The Red Shoes (1948) poster
11. The Red Shoes1948

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a white-knuckle intensity.

The 47 Ronin (1941) (1941) poster
12. The 47 Ronin1941

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are Citizen Kane’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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