FilmsClear SkiesLike this

Films like Clear Skies.

Clear Skies (1961) reads as Sombre, steady, measured drama / war, grounded in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Ice Cold in Alex (1958) poster
1. Ice Cold in Alex1958

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Alone Across the Pacific (1963) poster
2. Alone Across the Pacific1963

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

Semerah Padi (1956) poster
3. Semerah Padi1956

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Giant (1956) poster
4. Giant1956

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

The Father of a Soldier (1964) poster
5. The Father of a Soldier1964

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Tales of the Taira Clan (1955) poster
6. Tales of the Taira Clan1955

Keeps the patient, unhurried pace and the heightened unreality — one of the nearest reads in the catalogue.

The Flight of the Phoenix (1965) poster
7. The Flight of the Phoenix1965

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Nine Days of One Year (1962) poster
8. Nine Days of One Year1962

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Hour and Turn of Augusto Matraga (1965) poster
9. The Hour and Turn of Augusto Matraga1965

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Mother India (1957) poster
10. Mother India1957

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

On the Waterfront (1954) poster
11. On the Waterfront1954

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Fate of a Man (1959) poster
12. The Fate of a Man1959

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

These are Clear Skies’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →