FilmsCleopatraLike this

Films like Cleopatra.

Cleopatra (1970) reads as Neutral, kinetic, measured adult / historical, surreal in texture. Nihilistic, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

A Thousand and One Nights (1969) poster
1. A Thousand and One Nights1969

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Tommy (1975) (1975) poster
2. Tommy1975

Keeps the strange, dreamlike logic and the unmistakable directorial hand — one of the nearest reads in the catalogue.

City of Women (1980) poster
3. City of Women1980

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a intimate, personal stakes.

Phantom of the Paradise (1974) poster
4. Phantom of the Paradise1974

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a intimate, personal stakes.

West Indies (1979) poster
5. West Indies1979

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Milky Way (1969) poster
6. The Milky Way1969

Keeps the cold, bleak undertow and the strange, dreamlike logic — one of the nearest reads in the catalogue.

Lilies of the Field (1972) poster
7. Lilies of the Field1972

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Coonskin (1975) poster
8. Coonskin1975

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Jubilee (1978) poster
9. Jubilee1978

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Brazil (1985) poster
10. Brazil1985

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Hotel for Strangers (1967) poster
11. Hotel for Strangers1967

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Birds, Orphans and Fools (1969) poster
12. Birds, Orphans and Fools1969

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

These are Cleopatra’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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