FilmsContemptLike this

Films like Contempt.

Contempt (1963) reads as Sombre, measured, gentle drama / french, inventive in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Lola Montès (1955) poster
1. Lola Montès1955

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Vivre Sa Vie (1962) poster
2. Vivre Sa Vie1962

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Tristana (1970) (1970) poster
3. Tristana1970

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a white-knuckle intensity.

Identification Marks: None (1965) poster
4. Identification Marks: None1965

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Viridiana (1961) poster
5. Viridiana1961

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a white-knuckle intensity.

Memorias del subdesarrollo (1968) poster
6. Memorias del subdesarrollo1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

My Life to Live (1962) poster
7. My Life to Live1962

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a white-knuckle intensity.

The Enigma of Kaspar Hauser (1974) poster
8. The Enigma of Kaspar Hauser1974

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Blow-Up (1966) poster
9. Blow-Up1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Three Sad Tigers (1968) poster
10. Three Sad Tigers1968

Keeps the patient, unhurried pace and the pitch-dark outlook; trades toward a white-knuckle intensity.

La Notte (1961) poster
11. La Notte1961

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Cul-de-sac (1966) poster
12. Cul-de-sac1966

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a white-knuckle intensity.

These are Contempt’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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