Films like Diary of a Shinjuku Thief.

Diary of a Shinjuku Thief (1969) reads as Sombre, kinetic, measured drama / experimental, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Partner (1968) poster
1. Partner1968

Keeps the cold, bleak undertow and the strange, dreamlike logic — one of the nearest reads in the catalogue.

Trans-Europ-Express (1966) poster
2. Trans-Europ-Express1966

Keeps the cold, bleak undertow and the strange, dreamlike logic — one of the nearest reads in the catalogue.

Funeral Parade of Roses (1969) poster
3. Funeral Parade of Roses1969

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

The Red Light Bandit (1968) poster
4. The Red Light Bandit1968

Keeps the cold, bleak undertow and the strange, dreamlike logic — one of the nearest reads in the catalogue.

Salto (1965) poster
5. Salto1965

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Death Laid an Egg (1968) poster
6. Death Laid an Egg1968

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Made in U.S.A (1966) poster
7. Made in U.S.A1966

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Branded to Kill (1967) poster
8. Branded to Kill1967

Keeps the cold, bleak undertow and the strange, dreamlike logic — one of the nearest reads in the catalogue.

Barrier (1966) poster
9. Barrier1966

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

The Garden of Delights (1970) poster
10. The Garden of Delights1970

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Artists Under the Big Top: Perplexed (1968) poster
11. Artists Under the Big Top: Perplexed1968

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Tout Va Bien (1972) poster
12. Tout Va Bien1972

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a intimate, personal stakes.

These are Diary of a Shinjuku Thief’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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