Films like Ema (Pablo Larraín).
Ema (Pablo Larraín) (2019) reads as Sombre, kinetic, measured drama, inventive in texture. Nihilistic, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.
Keeps the unmistakable directorial hand and the bone-dry seriousness — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the bone-dry seriousness — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the bone-dry seriousness — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the bone-dry seriousness — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the bone-dry seriousness — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.
Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.
Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.
Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a grounded, familiar shape.
These are Ema (Pablo Larraín)’s neighbours — where are yours?
Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.
Find my film for tonight — 60 sec →