FilmsFantomasLike this

Films like Fantomas.

Fantomas (1964) reads as Neutral, breathless, measured comedy / crime, grounded in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Crooks in Clover (1963) poster
1. Crooks in Clover1963

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

The Brain (1969) poster
2. The Brain1969

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Watch Out, We're Mad (1974) poster
3. Watch Out, We're Mad1974

Keeps the heightened unreality and the grounded, familiar shape; trades toward a relentless forward drive.

Our Man in Havana (1959) poster
4. Our Man in Havana1959

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

The Pink Panther Strikes Again (1976) poster
5. The Pink Panther Strikes Again1976

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Pink Flamingos (1976) poster
6. Pink Flamingos1976

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Delusions of Grandeur (1971) poster
7. Delusions of Grandeur1971

Keeps the heightened unreality and the grounded, familiar shape; trades toward a patient, unhurried pace.

Crime Busters (1977) poster
8. Crime Busters1977

Keeps the heightened unreality and the grounded, familiar shape; trades toward a relentless forward drive.

The Wing or the Thigh? (1976) poster
9. The Wing or the Thigh?1976

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Charade (1963) poster
10. Charade1963

Keeps the heightened unreality and the grounded, familiar shape; trades toward a intimate, personal stakes.

What Am I Doing in the Middle of the Revolution? (1972) poster
11. What Am I Doing in the Middle of the Revolution?1972

Keeps the cold, bleak undertow and the heightened unreality; trades toward a airy, open telling.

White Sun of the Desert (1970) poster
12. White Sun of the Desert1970

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

These are Fantomas’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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