FilmsFitzcarraldoLike this

Films like Fitzcarraldo.

Fitzcarraldo (1982) reads as Sombre, measured, measured drama / adventure, inventive in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Que Viva Mexico! (1979) poster
1. Que Viva Mexico!1979

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Burden of Dreams (1982) poster
2. Burden of Dreams1982

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

La Soufrière (1977) poster
3. La Soufrière1977

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Que Farei Eu com Esta Espada? (1975) poster
4. Que Farei Eu com Esta Espada?1975

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Dark Glow of the Mountains (1985) poster
5. The Dark Glow of the Mountains1985

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Red Psalm (1972) poster
6. Red Psalm1972

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Confrontation (1969) poster
7. The Confrontation1969

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Where the Green Ants Dream (1984) poster
8. Where the Green Ants Dream1984

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Tongues Untied (1989) (1989) poster
9. Tongues Untied1989

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Journey of a Young Composer (1985) poster
10. The Journey of a Young Composer1985

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Mauvais Sang (1986) poster
11. Mauvais Sang1986

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

Lucía (1968) poster
12. Lucía1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are Fitzcarraldo’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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