Films like George Carlin: Life Is Worth Losing.

George Carlin: Life Is Worth Losing (2005) reads as Neutral, kinetic, measured comedy / tv-movie, grounded in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

George Carlin: It's Bad for Ya! (2008) poster
1. George Carlin: It's Bad for Ya!2008

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Bill Burr: Why Do I Do This? (2008) poster
2. Bill Burr: Why Do I Do This?2008

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Louis C.K.: Shameless (2007) poster
3. Louis C.K.: Shameless2007

Keeps the heightened unreality and the intimate, personal stakes; trades toward a cold, bleak undertow.

Louis C.K.: Oh My God (2013) poster
4. Louis C.K.: Oh My God2013

Keeps the heightened unreality and the intimate, personal stakes; trades toward a cold, bleak undertow.

Anthony Jeselnik: Thoughts and Prayers (2015) poster
5. Anthony Jeselnik: Thoughts and Prayers2015

Keeps the cold, bleak undertow and the heightened unreality; trades toward a relentless forward drive.

Louis C.K.: Chewed Up (2008) poster
6. Louis C.K.: Chewed Up2008

Keeps the heightened unreality and the intimate, personal stakes; trades toward a cold, bleak undertow.

Jimmy Carr: Stand Up (2005) poster
7. Jimmy Carr: Stand Up2005

Keeps the heightened unreality and the intimate, personal stakes; trades toward a cold, bleak undertow.

Sarah Silverman: Jesus Is Magic (2005) poster
8. Sarah Silverman: Jesus Is Magic2005

Keeps the intimate, personal stakes and the running vein of humour; trades toward a cold, bleak undertow.

Burn After Reading (2008) poster
9. Burn After Reading2008

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

Chris Rock: Tamborine (2018) poster
10. Chris Rock: Tamborine2018

Keeps the heightened unreality and the intimate, personal stakes; trades toward a cold, bleak undertow.

Jim Jefferies: Alcoholocaust (2010) poster
11. Jim Jefferies: Alcoholocaust2010

Keeps the heightened unreality and the intimate, personal stakes; trades toward a airy, open telling.

Carnage (2011) poster
12. Carnage2011

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

These are George Carlin: Life Is Worth Losing’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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