Films like Good Men, Good Women.

Good Men, Good Women (1995) reads as Sombre, slow-burn, gentle drama, grounded in texture. Nihilistic, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Abraham's Valley (1993) poster
1. Abraham's Valley1993

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Flowers of Shanghai (1998) poster
2. Flowers of Shanghai1998

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Holy Girl (2004) poster
3. The Holy Girl2004

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Platform (2000) (2000) poster
4. Platform2000

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

La Cienaga (2001) poster
5. La Cienaga2001

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

That Day, on the Beach (1983) poster
6. That Day, on the Beach1983

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

La Captive (2000) poster
7. La Captive2000

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

In the Mood for Love (2000) poster
8. In the Mood for Love2000

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

Maborosi (1995) (1995) poster
9. Maborosi1995

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Rebels of the Neon God (1992) poster
10. Rebels of the Neon God1992

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The State of Things (1982) poster
11. The State of Things1982

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Vanaprastham (1999) poster
12. Vanaprastham1999

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are Good Men, Good Women’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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