FilmsHappinessLike this

Films like Happiness.

Happiness (1935) reads as Warm, kinetic, measured comedy / satire, surreal in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

My Grandmother (1929) poster
1. My Grandmother1929

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a relentless forward drive.

Lieutenant Kije (1934) poster
2. Lieutenant Kije1934

Keeps the running vein of humour and the patient, unhurried pace; trades toward a strange, dreamlike logic.

The Tower of the Seven Hunchbacks (1944) poster
3. The Tower of the Seven Hunchbacks1944

Keeps the strange, dreamlike logic and the cold, bleak undertow; trades toward a running vein of humour.

Never Give a Sucker an Even Break (1941) poster
4. Never Give a Sucker an Even Break1941

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a heightened unreality.

Zazie dans le Métro (1960) poster
5. Zazie dans le Métro1960

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a relentless forward drive.

Oh... Rosalinda!! (1955) poster
6. Oh... Rosalinda!!1955

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a warm emotional register.

Hole in the Moon (1964) poster
7. Hole in the Moon1964

Keeps the unmistakable directorial hand and the strange, dreamlike logic — one of the nearest reads in the catalogue.

The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924) poster
8. The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks1924

Keeps the running vein of humour and the intimate, personal stakes; trades toward a relentless forward drive.

Daisies (1966) poster
9. Daisies1966

Keeps the running vein of humour and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Yolanda and the Thief (1945) poster
10. Yolanda and the Thief1945

Keeps the patient, unhurried pace and the intimate, personal stakes; trades toward a warm emotional register.

Alice in Wonderland (1951) (1951) poster
11. Alice in Wonderland1951

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a running vein of humour.

Welcome Mr. Marshall! (1953) poster
12. Welcome Mr. Marshall!1953

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a grounded, familiar shape.

These are Happiness’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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