Films like Heaven (Diane Keaton).

Heaven (Diane Keaton) (1987) reads as Neutral, measured, gentle documentary, grounded in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Tokyo-Ga (1985) poster
1. Tokyo-Ga1985

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Agantuk (1991) poster
2. Agantuk1991

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Nénette and Boni (1996) poster
3. Nénette and Boni1996

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Tango Lesson (1997) poster
4. The Tango Lesson1997

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Vive le Tour (1986) poster
5. Vive le Tour1986

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Mathilukal (1990) poster
6. Mathilukal1990

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Through the Olive Trees (1994) poster
7. Through the Olive Trees1994

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a patient, unhurried pace.

Talking Heads (1980) poster
8. Talking Heads1980

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

A Moment of Innocence (1996) poster
9. A Moment of Innocence1996

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Apple (1998) (1998) poster
10. The Apple1998

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Day After Day (1998) poster
11. Day After Day1998

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Losing Ground (1982) poster
12. Losing Ground1982

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

These are Heaven (Diane Keaton)’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →