Films like History of the World, Part I.

History of the World, Part I (1981) reads as Cosy, kinetic, measured comedy / history, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

High Anxiety (1977) (1977) poster
1. High Anxiety1977

Keeps the running vein of humour and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Raising Arizona (1987) poster
2. Raising Arizona1987

Keeps the running vein of humour and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Producers (1967) (1967) poster
3. The Producers1967

Keeps the running vein of humour and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Blues Brothers (1980) poster
4. The Blues Brothers1980

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a relentless forward drive.

Labyrinth of Passion (1982) poster
5. Labyrinth of Passion1982

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Will Your Heart Beat Faster? (1980) poster
6. Will Your Heart Beat Faster?1980

Keeps the unmistakable directorial hand and the heightened unreality — one of the nearest reads in the catalogue.

Love and Death (1975) poster
7. Love and Death1975

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Women on the Verge of a Nervous Breakdown (1988) poster
8. Women on the Verge of a Nervous Breakdown1988

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Pushpaka Vimana (1987) poster
9. Pushpaka Vimana1987

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Repo Man (1984) poster
10. Repo Man1984

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Spaceballs (1987) poster
11. Spaceballs1987

Keeps the running vein of humour and the unmistakable directorial hand; trades toward a documentary-plain realism.

Zelig (1983) poster
12. Zelig1983

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a cold, bleak undertow.

These are History of the World, Part I’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →