Filmsif....Like this

Films like if.....

if.... (1968) reads as Sombre, steady, measured drama / british, surreal in texture. Ambivalent, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Pierrot le Fou (1965) poster
1. Pierrot le Fou1965

Keeps the unmistakable directorial hand and the chilly detachment — one of the nearest reads in the catalogue.

Salto (1965) poster
2. Salto1965

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a gentle temperature.

Trans-Europ-Express (1966) poster
3. Trans-Europ-Express1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Tout Va Bien (1972) poster
4. Tout Va Bien1972

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Garden of Delights (1970) poster
5. The Garden of Delights1970

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a gentle temperature.

Tokyo Drifter (1966) poster
6. Tokyo Drifter1966

Keeps the unmistakable directorial hand and the chilly detachment; trades toward a patient, unhurried pace.

A Report on the Party and Guests (1966) poster
7. A Report on the Party and Guests1966

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a pitch-dark outlook.

I Am Curious (Yellow) (1967) poster
8. I Am Curious (Yellow)1967

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a gentle temperature.

Barrier (1966) poster
9. Barrier1966

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a gentle temperature.

Artists Under the Big Top: Perplexed (1968) poster
10. Artists Under the Big Top: Perplexed1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a gentle temperature.

The Red Light Bandit (1968) poster
11. The Red Light Bandit1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

An Actor's Revenge (1963) poster
12. An Actor's Revenge1963

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a gentle temperature.

These are if....’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →