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Films like Intolerance.

Intolerance (1916) reads as Sombre, measured, measured drama / silent, inventive in texture. Nihilistic, epic, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

October: Ten Days That Shook the World (1928) poster
1. October: Ten Days That Shook the World1928

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Leaves from Satan's Book (1921) poster
2. Leaves from Satan's Book1921

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Birth of a Nation (1915) poster
3. The Birth of a Nation1915

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a grounded, familiar shape.

Die Nibelungen (1924) poster
4. Die Nibelungen1924

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a documentary-plain realism.

Battleship Potemkin (1925) poster
5. Battleship Potemkin1925

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

The Testament of Dr. Mabuse (1933) poster
6. The Testament of Dr. Mabuse1933

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

Eliso (1928) poster
7. Eliso1928

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

The New Babylon (1929) poster
8. The New Babylon1929

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

Ivan the Terrible, Part I (1944) poster
9. Ivan the Terrible, Part I1944

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Metropolis (1927) poster
10. Metropolis1927

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a documentary-plain realism.

The Passion of Joan of Arc (1928) poster
11. The Passion of Joan of Arc1928

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

Fragment of an Empire (1929) poster
12. Fragment of an Empire1929

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are Intolerance’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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