Films like James and the Giant Peach.

James and the Giant Peach (1996) reads as Warm, kinetic, measured animation / family, surreal in texture. Redemptive, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Babe: Pig in the City (1998) poster
1. Babe: Pig in the City1998

Keeps the strange, dreamlike logic and the documentary-plain realism — one of the nearest reads in the catalogue.

Babe: Pig in the City (Miller) — re-pass (1998) poster
2. Babe: Pig in the City (Miller) — re-pass1998

Keeps the strange, dreamlike logic and the documentary-plain realism — one of the nearest reads in the catalogue.

Labyrinth (1986) (1986) poster
3. Labyrinth1986

Keeps the strange, dreamlike logic and the documentary-plain realism — one of the nearest reads in the catalogue.

The Nightmare Before Christmas (1993) poster
4. The Nightmare Before Christmas1993

Keeps the strange, dreamlike logic and the documentary-plain realism; trades toward a patient, unhurried pace.

The Adventures of Baron Munchausen (1988) poster
5. The Adventures of Baron Munchausen1988

Keeps the strange, dreamlike logic and the documentary-plain realism — one of the nearest reads in the catalogue.

I'm a Cyborg, But That's OK (2006) poster
6. I'm a Cyborg, But That's OK2006

Keeps the strange, dreamlike logic and the documentary-plain realism — one of the nearest reads in the catalogue.

Stardust (2007) (2007) poster
7. Stardust2007

Keeps the documentary-plain realism and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Lu Over the Wall (2017) poster
8. Lu Over the Wall2017

Keeps the strange, dreamlike logic and the documentary-plain realism — one of the nearest reads in the catalogue.

Rango (2011) (2011) poster
9. Rango2011

Keeps the strange, dreamlike logic and the documentary-plain realism; trades toward a patient, unhurried pace.

The Cat Returns (2002) poster
10. The Cat Returns2002

Keeps the documentary-plain realism and the unmistakable directorial hand; trades toward a warm emotional register.

The Thief and the Cobbler (1993) poster
11. The Thief and the Cobbler1993

Keeps the strange, dreamlike logic and the documentary-plain realism; trades toward a patient, unhurried pace.

Pom Poko (1994) poster
12. Pom Poko1994

Keeps the strange, dreamlike logic and the documentary-plain realism; trades toward a pitch-dark outlook.

These are James and the Giant Peach’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →