Films like Joan the Maid: The Battles.

Joan the Maid: The Battles (1994) reads as Sombre, measured, measured history / period, grounded in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Fly High Run Far (1991) poster
1. Fly High Run Far1991

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

The Last Temptation of Christ (1988) poster
2. The Last Temptation of Christ1988

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Diary for My Father and Mother (1990) poster
3. Diary for My Father and Mother1990

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Thin Blue Line (1988) poster
4. The Thin Blue Line1988

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Diary for My Loves (1987) poster
5. Diary for My Loves1987

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Emperor and the Assassin (1998) poster
6. The Emperor and the Assassin1998

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Red Sorghum (1987) poster
7. Red Sorghum1987

Keeps the cold, bleak undertow and the bone-dry seriousness — one of the nearest reads in the catalogue.

Before the Rain (1994) poster
8. Before the Rain1994

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Joan the Maid: The Prisons (1994) poster
9. Joan the Maid: The Prisons1994

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

Sankofa (1993) (1993) poster
10. Sankofa1993

Keeps the bone-dry seriousness and the heightened unreality; trades toward a cold, bleak undertow.

Rosa Luxemburg (1986) poster
11. Rosa Luxemburg1986

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Kedma (2002) poster
12. Kedma2002

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

These are Joan the Maid: The Battles’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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