Films like Julien Donkey-Boy.

Julien Donkey-Boy (1999) reads as Heavy, measured, measured drama, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Gummo (1997) poster
1. Gummo1997

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Timeless Bottomless Bad Movie (1997) poster
2. Timeless Bottomless Bad Movie1997

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Of Freaks and Men (1998) poster
3. Of Freaks and Men1998

Keeps the patient, unhurried pace and the heightened unreality — one of the nearest reads in the catalogue.

Palindromes (2004) (2004) poster
4. Palindromes2004

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

The Idiots (1998) poster
5. The Idiots1998

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Alps (2011) (2011) poster
6. Alps2011

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Crash (1996) (1996) poster
7. Crash1996

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a heightened unreality.

The Asthenic Syndrome (1989) poster
8. The Asthenic Syndrome1989

Keeps the cold, bleak undertow and the heightened unreality; trades toward a dense, packed storytelling.

The Corridor (1995) poster
9. The Corridor1995

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Headless Woman (2008) poster
10. The Headless Woman2008

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Dead Man (1995) poster
11. Dead Man1995

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a cold, bleak undertow.

Sátántangó (1994) poster
12. Sátántangó1994

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

These are Julien Donkey-Boy’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →