Films like La Femme Infidèle.

La Femme Infidèle (1969) reads as Sombre, measured, measured thriller / drama, grounded in texture. Nihilistic, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

One's Own Choice (1972) poster
1. One's Own Choice1972

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Go-Between (1971) poster
2. The Go-Between1971

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Curriculum Vitae (1975) poster
3. Curriculum Vitae1975

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Royal Hunt (1976) poster
4. The Royal Hunt1976

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

Memories of Underdevelopment (1968) poster
5. Memories of Underdevelopment1968

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Le Cercle des Disparus (1970) poster
6. Le Cercle des Disparus1970

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Les Biches (1968) poster
7. Les Biches1968

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Naked Childhood (1968) poster
8. Naked Childhood1968

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Middle of the World (1974) (1974) poster
9. The Middle of the World1974

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Le Boucher (1970) poster
10. Le Boucher1970

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

Kapurush (1965) poster
11. Kapurush1965

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Adelheid (1970) poster
12. Adelheid1970

Keeps the patient, unhurried pace and the heightened unreality; trades toward a cold, bleak undertow.

These are La Femme Infidèle’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →