FilmsLe PlaisirLike this

Films like Le Plaisir.

Le Plaisir (1952) reads as Neutral, kinetic, measured drama / romance, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Bellissima (1951) poster
1. Bellissima1951

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Age of Daydreaming (1965) poster
2. The Age of Daydreaming1965

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Aar Paar (1954) poster
3. Aar Paar1954

Keeps the cold, bleak undertow and the heightened unreality; trades toward a unmistakable directorial hand.

Alley of Fools (1955) poster
4. Alley of Fools1955

Keeps the cold, bleak undertow and the heightened unreality; trades toward a unmistakable directorial hand.

Band of Outsiders (1964) poster
5. Band of Outsiders1964

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Lola (1961) (1961) poster
6. Lola1961

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Mexican Bus Ride (1952) poster
7. Mexican Bus Ride1952

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.

Jules and Jim (1962) poster
8. Jules and Jim1962

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

To Catch a Thief (1955) poster
9. To Catch a Thief1955

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

La Ronde (1950) poster
10. La Ronde1950

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a cold, bleak undertow.

A Bagful of Fleas (1962) poster
11. A Bagful of Fleas1962

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Pearls of the Deep (1966) poster
12. Pearls of the Deep1966

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

These are Le Plaisir’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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