FilmsLocked OutLike this

Films like Locked Out.

Locked Out (2006) reads as Neutral, breathless, measured comedy, inventive in texture. Ambivalent, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Strangers with Candy (2006) poster
1. Strangers with Candy2006

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

A Fantastic Fear of Everything (2012) poster
2. A Fantastic Fear of Everything2012

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

Gray's Anatomy (1996) poster
3. Gray's Anatomy1996

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

The Big Night (2012) poster
4. The Big Night2012

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

Romance & Cigarettes (2005) poster
5. Romance & Cigarettes2005

Keeps the intimate, personal stakes and the heightened unreality; trades toward a patient, unhurried pace.

Louise-Michel (2008) poster
6. Louise-Michel2008

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

Full Frontal (2002) poster
7. Full Frontal2002

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

Sex and Death 101 (2007) poster
8. Sex and Death 1012007

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a clean studio craft.

The Foot Fist Way (2006) poster
9. The Foot Fist Way2006

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

Choke (2008) poster
10. Choke2008

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

The Legend of Barney Thomson (2015) poster
11. The Legend of Barney Thomson2015

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a white-knuckle intensity.

Chicago (2002) poster
12. Chicago2002

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a grounded, familiar shape.

These are Locked Out’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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