FilmsLola MontèsLike this

Films like Lola Montès.

Lola Montès (1955) reads as Sombre, measured, measured drama / romance, inventive in texture. Nihilistic, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Red Shoes (1948) poster
1. The Red Shoes1948

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Nazarin (1959) (1959) poster
2. Nazarin1959

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

The Magician (1958) (1958) poster
3. The Magician1958

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Rope (1948) poster
4. Rope1948

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

La Dolce Vita (1960) poster
5. La Dolce Vita1960

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

My Life to Live (1962) poster
6. My Life to Live1962

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Written on the Wind (1956) poster
7. Written on the Wind1956

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Contempt (1963) poster
8. Contempt1963

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Viridiana (1961) poster
9. Viridiana1961

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Rashomon (1950) poster
10. Rashomon1950

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Belarmino (1964) poster
11. Belarmino1964

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Paris Belongs to Us (1961) poster
12. Paris Belongs to Us1961

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

These are Lola Montès’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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