Films like Masculin Féminin.

Masculin Féminin (1966) reads as Neutral, kinetic, measured drama / romance, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Married Woman (1964) poster
1. The Married Woman1964

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

La Chinoise (1967) poster
2. La Chinoise1967

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Breathless (1960) poster
3. Breathless1960

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

Tokyo Drifter (1966) poster
4. Tokyo Drifter1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a white-knuckle intensity.

Pearls of the Deep (1966) poster
5. Pearls of the Deep1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Made in U.S.A (1966) poster
6. Made in U.S.A1966

Keeps the unmistakable directorial hand and the heightened unreality — one of the nearest reads in the catalogue.

Mon oncle d'Amérique (1980) poster
7. Mon oncle d'Amérique1980

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

RoGoPaG (1963) poster
8. RoGoPaG1963

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

I Am Curious (Blue) (1968) poster
9. I Am Curious (Blue)1968

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

Band of Outsiders (1964) poster
10. Band of Outsiders1964

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

Tout Va Bien (1972) poster
11. Tout Va Bien1972

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

The Criminal Life of Archibaldo de la Cruz (1955) poster
12. The Criminal Life of Archibaldo de la Cruz1955

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a running vein of humour.

These are Masculin Féminin’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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