Films like May.
May (2002) reads as Heavy, kinetic, extreme horror / drama, inventive in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.
Keeps the cold, bleak undertow and the pitch-dark outlook — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the pitch-dark outlook — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the pitch-dark outlook — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the pitch-dark outlook; trades toward a patient, unhurried pace.
Keeps the cold, bleak undertow and the pitch-dark outlook; trades toward a bone-dry seriousness.
Keeps the cold, bleak undertow and the pitch-dark outlook; trades toward a patient, unhurried pace.
Keeps the pitch-dark outlook and the intimate, personal stakes — one of the nearest reads in the catalogue.
Keeps the pitch-dark outlook and the intimate, personal stakes; trades toward a cold, bleak undertow.
Keeps the cold, bleak undertow and the pitch-dark outlook — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the pitch-dark outlook; trades toward a patient, unhurried pace.
Keeps the cold, bleak undertow and the pitch-dark outlook; trades toward a unmistakable directorial hand.
Keeps the cold, bleak undertow and the pitch-dark outlook; trades toward a relentless forward drive.
These are May’s neighbours — where are yours?
Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.
Find my film for tonight — 60 sec →