Films like My Life to Live.

My Life to Live (1962) reads as Heavy, measured, measured new wave / drama, inventive in texture. Nihilistic, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Three Sad Tigers (1968) poster
1. Three Sad Tigers1968

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Viridiana (1961) poster
2. Viridiana1961

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Innocents(1961)1961
3. The Innocents1961

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Man Without a Map (1968) poster
4. The Man Without a Map1968

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Profound Desires of the Gods (1968) poster
5. Profound Desires of the Gods1968

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Eros + Massacre (1969) poster
6. Eros + Massacre1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

L'Amour Fou (1969) poster
7. L'Amour Fou1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Hiroshima Mon Amour (1959) poster
8. Hiroshima Mon Amour1959

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Sunday Afternoon (1966) poster
9. Sunday Afternoon1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Vivre Sa Vie (1962) poster
10. Vivre Sa Vie1962

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

Oedipus Rex (Pasolini) (1967) poster
11. Oedipus Rex (Pasolini)1967

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Él (This Strange Passion) (1953) poster
12. Él (This Strange Passion)1953

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

These are My Life to Live’s neighbours — where are yours?

Pick the mood of the night and we pull a film that fits it, on the same twelve axes. Then everyone on the couch gets something to watch for.

Pick tonight’s film by mood →