FilmsNews from HomeLike this

Films like News from Home.

News from Home (1976) reads as Sombre, slow-burn, gentle documentary, inventive in texture. Nihilistic, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Landscape in the Mist (1988) poster
1. Landscape in the Mist1988

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Pictures of the Old World (1972) poster
2. Pictures of the Old World1972

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Pirosmani (1969) poster
3. Pirosmani1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Earth of the Blind (1992) poster
4. Earth of the Blind1992

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Jaime (1974) poster
5. Jaime1974

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

Uski Roti (1969) poster
6. Uski Roti1969

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Ten Minutes Before the Flight of Icarus (1990) poster
7. Ten Minutes Before the Flight of Icarus1990

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Trás-os-Montes (1976) poster
8. Trás-os-Montes1976

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a heightened unreality.

Cocoon (1995) poster
9. Cocoon1995

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Zabriskie Point (1970) poster
10. Zabriskie Point1970

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

A Simple Event (1973) poster
11. A Simple Event1973

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a grounded, familiar shape.

The State of Things (1982) poster
12. The State of Things1982

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are News from Home’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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