Films like One Way or Another.

One Way or Another (1977) reads as Neutral, steady, measured icaic / feminist, inventive in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Diva (1981) (1981) poster
1. Diva1981

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

I Wish to Speak (1975) poster
2. I Wish to Speak1975

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

Cinta dalam Sepotong Roti (1991) poster
3. Cinta dalam Sepotong Roti1991

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Women in Love (1969) poster
4. Women in Love1969

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Up to a Certain Point (1983) poster
5. Up to a Certain Point1983

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Beginning (1970) poster
6. The Beginning1970

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Tent of Miracles (1977) poster
7. Tent of Miracles1977

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a bone-dry seriousness.

Newsfront (1978) poster
8. Newsfront1978

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a unmistakable directorial hand.

Harmonica (1974) poster
9. Harmonica1974

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Cry (1964) poster
10. The Cry1964

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Tailor from Ulm (1978) poster
11. The Tailor from Ulm1978

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a cold, bleak undertow.

Love Film (1970) poster
12. Love Film1970

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are One Way or Another’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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