FilmsPartnerLike this

Films like Partner.

Partner (1968) reads as Sombre, kinetic, measured drama / experimental, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Diary of a Shinjuku Thief (1969) poster
1. Diary of a Shinjuku Thief1969

Keeps the cold, bleak undertow and the strange, dreamlike logic — one of the nearest reads in the catalogue.

Death Laid an Egg (1968) poster
2. Death Laid an Egg1968

Keeps the cold, bleak undertow and the strange, dreamlike logic — one of the nearest reads in the catalogue.

The Red Light Bandit (1968) poster
3. The Red Light Bandit1968

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a bone-dry seriousness.

Jubilee (1978) poster
4. Jubilee1978

Keeps the cold, bleak undertow and the strange, dreamlike logic — one of the nearest reads in the catalogue.

Funeral Parade of Roses (1969) poster
5. Funeral Parade of Roses1969

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Salto (1965) poster
6. Salto1965

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Branded to Kill (1967) poster
7. Branded to Kill1967

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a heightened unreality.

Made in U.S.A (1966) poster
8. Made in U.S.A1966

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Trans-Europ-Express (1966) poster
9. Trans-Europ-Express1966

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Performance (1970) (1970) poster
10. Performance1970

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a patient, unhurried pace.

The Cars That Ate Paris (1974) poster
11. The Cars That Ate Paris1974

Keeps the strange, dreamlike logic and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Mickey One (1965) poster
12. Mickey One1965

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a heightened unreality.

These are Partner’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →