FilmsRoma (Fellini)Like this

Films like Roma (Fellini).

Roma (Fellini) (1972) reads as Neutral, measured, measured drama / comedy, surreal in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Roma (1972) poster
1. Roma1972

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Wishing Tree (Georgian) (1977) poster
2. The Wishing Tree (Georgian)1977

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

How Tasty Was My Little Frenchman (1971) poster
3. How Tasty Was My Little Frenchman1971

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Dodes'ka-den (1970) poster
4. Dodes'ka-den1970

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Wishing Tree (1977) poster
5. The Wishing Tree1977

Keeps the unmistakable directorial hand and the intimate, personal stakes — one of the nearest reads in the catalogue.

And the Ship Sails On (1983) poster
6. And the Ship Sails On1983

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Saragossa Manuscript (1965) poster
7. The Saragossa Manuscript1965

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Arabian Nights (Pasolini) (1974) poster
8. Arabian Nights (Pasolini)1974

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

8½ (1963) poster
9. 1963

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Babylon XX (1979) poster
10. Babylon XX1979

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Hawks and Sparrows (1966) poster
11. Hawks and Sparrows1966

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Juliet of the Spirits (1965) poster
12. Juliet of the Spirits1965

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

These are Roma (Fellini)’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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