Films like Salò, or the 120 Days of Sodom.
Salò, or the 120 Days of Sodom (1975) reads as Heavy, measured, extreme drama, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.
Keeps the cold, bleak undertow and the white-knuckle intensity; trades toward a patient, unhurried pace.
Keeps the patient, unhurried pace and the white-knuckle intensity; trades toward a cold, bleak undertow.
Keeps the cold, bleak undertow and the white-knuckle intensity; trades toward a world-sized stakes.
Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.
Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.
Keeps the cold, bleak undertow and the white-knuckle intensity; trades toward a strange, dreamlike logic.
Keeps the patient, unhurried pace and the white-knuckle intensity; trades toward a cold, bleak undertow.
Keeps the patient, unhurried pace and the white-knuckle intensity; trades toward a cold, bleak undertow.
Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a white-knuckle intensity.
Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a white-knuckle intensity.
Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a patient, unhurried pace.
Keeps the cold, bleak undertow and the white-knuckle intensity; trades toward a patient, unhurried pace.
These are Salò, or the 120 Days of Sodom’s neighbours — where are yours?
Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.
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