FilmsSaltoLike this

Films like Salto.

Salto (1965) reads as Sombre, steady, measured drama / surreal, surreal in texture. Nihilistic, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Barrier (1966) poster
1. Barrier1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Trans-Europ-Express (1966) poster
2. Trans-Europ-Express1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Garden of Delights (1970) poster
3. The Garden of Delights1970

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Diary of a Shinjuku Thief (1969) poster
4. Diary of a Shinjuku Thief1969

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Tout Va Bien (1972) poster
5. Tout Va Bien1972

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Made in U.S.A (1966) poster
6. Made in U.S.A1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

An Actor's Revenge (1963) poster
7. An Actor's Revenge1963

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Artists Under the Big Top: Perplexed (1968) poster
8. Artists Under the Big Top: Perplexed1968

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Everything for Sale (1969) poster
9. Everything for Sale1969

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

La Chinoise (1967) poster
10. La Chinoise1967

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Pierrot le Fou (1965) poster
11. Pierrot le Fou1965

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Les Créatures (1966) poster
12. Les Créatures1966

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

These are Salto’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →