FilmsStrikeLike this

Films like Strike.

Strike (1925) reads as Sombre, breathless, extreme drama / silent, inventive in texture. Ambivalent, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The End of St. Petersburg (1927) poster
1. The End of St. Petersburg1927

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The New Babylon (1929) poster
2. The New Babylon1929

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Battleship Potemkin (restored) (1925) poster
3. The Battleship Potemkin (restored)1925

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Battleship Potemkin (1925) poster
4. Battleship Potemkin1925

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Mother (1926) poster
5. Mother1926

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Eliso (1928) poster
6. Eliso1928

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Testament of Dr. Mabuse (1933) poster
7. The Testament of Dr. Mabuse1933

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Last Command (1928) poster
8. The Last Command1928

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

Deserter (1933) poster
9. Deserter1933

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

Strike (Eisenstein) (1925) poster
10. Strike (Eisenstein)1925

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a strange, dreamlike logic.

Let's Go with Pancho Villa (1936) poster
11. Let's Go with Pancho Villa1936

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Fragment of an Empire (1929) poster
12. Fragment of an Empire1929

Keeps the unmistakable directorial hand and the bone-dry seriousness; trades toward a patient, unhurried pace.

These are Strike’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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